
The bamboo piece laying at the top will be the hanging rod. I figured out a way to attach the bamboo that I like. I drill a couple of holes through the bamboo rod and attach it to the piece using heavy thread and a bead on each side of the holes. Here's a little detail shot.

Gerrie is finishing several of her pieces this way too. She says on her blog she "stole" the idea from me. Feel free to steal this idea if you like it!
You may also be able to see in this detail that I quilted the background by stitching over a piece of cotton cord, actually cotton loom warp. I also finished the edges the same way. I rather like the way that turned out.
The Japanese garden show is a fun one to do because we usually sell quite well. The change of dates from July to September this year may make a difference. It will be interesting to see. The pavillion at the Garden is really a beautiful setting for our work and it is always so pleasant to work a shift sitting the show.
The problem I always have with this show is that I try to hang work that is compatible with the Japanese Garden and the Japanese aesthetic without trying to mimic Japanese art. I'm not Japanese. That isn't my culture. No one in our group is Japanese, but some of the work looks very much like Japanese art. I ponder this every year and come to no clear conclusions except that personally, I want my work to be my own and come from my own vision and my own life experience. If it works in this venue, then maybe that is just a reflection of my admiration for Asian art coming through.



Do you remember
And here is my finished jewelry made with the silver pieces I created in the class I took last weekend. Hard to photograph. That's a pearl hanging on the end of the triangle. It's really pretty with a very slight pinkish cast to it, but it looks like nothing in the photo. You can see that I used the little squares that looked a bit like buttons to make a pair of earrings. They were made from the scraps that were left from the other pieces. 
Then you put them on a little rubber block and brush the white coating off with a little brass wire brush.

Then I polished them, removing the dark tarnish from everything except the impressed lines, so the designs show up better.

I have to tell you it was hard to walk in. It had no batting, but was lined and it beat against my legs, "whap, whap" as I walked and tended to grab at my ankles. It was warm, though. I remember wearing it one snowy Christmas day and feeling not only warm and cozy, but very chic!
Looking at the pictures now, it is hard to recapture my fascination. The fabrics in the picture above look dreadful to me. But this quilt, done all in solids still has a cheerful charm that I like.
And the quilt on the cover, made for Governor and Mrs. Rockefeller, is quite special. I think it could win prizes today. Remembering this book today and looking through it again brought back a lot of memories. It had a huge impact on me. Maybe that's why I have kept it all these years.






I usually use commercially printed, patterned fabrics, but decided to start with solids this time. Here is the start—fused solids with some paint and pastels added for dimension and variation in the color. 






There is an elderly couple that walks at the same time we do. The man said that he was told the origin of the fruit trees is related to the fact that our section of the trail runs along an old railroad right-of-way. The 



I managed to reach a few, which went directly into my mouth. MMMMmmmm. They are so delicious.
In addition to the lovely edible fruits there are beautiful ornamental fruits. The Woody Nightshade is a jewel-like red, but quite poisonous.





Here are some of our stamps. Below is a piece of fabric used to try out the stamps with fabric paint. Steffi's leaf was especially successful, I thought.
