




Our morning coffee, at the end of the walk, tasted especially good. We got to laughing so hard (at a naughty joke, I'll confess) that we were in tears, then pulled ourselves together for a picture. We haven't changed all that much in two years.






Our morning coffee, at the end of the walk, tasted especially good. We got to laughing so hard (at a naughty joke, I'll confess) that we were in tears, then pulled ourselves together for a picture. We haven't changed all that much in two years.



Compare to last week.
These windows and door will also be replaced. The slider will be replaced with a prettier wood slider. Those side windows are now 18" from the floor, which is what the window in front will become, so we won't lose much at all. I love French doors, but this room is too small to accomodate the door swing without losing usable space or severely interrupting the flow. The wood sliders are really pretty, though. You can also see, from this picture, that although the view out the front window looks like we are really out in the woods, there is a subdivision right behind us. You can't have everything.
We got a Christmas tree on Saturday. Our realtor, Nancy Jane, had a "client appreciation" party at a local tree farm and bought each of her clients a Christmas tree. It was a cold, wet day, but there was a shelter with a roaring fire and hot dogs and hot cider and cookies. Beautiful place, where you hike out and select and cut your tree. We picked out a fairly small tree.
I have seen lots of entries on blogs about the environmental impact of cutting live trees for Christmas and many people are going to artificial trees. I have given this some thought and appreciate the arguments against live trees, but it seems like living in Oregon where more Christmas trees are grown than in any other state, buying a live tree which was grown for that specific purpose doesn't pose a problem. It is also an important part of the economy here and I'd hate to see the Christmas tree farmers going out of business. The Christmas tree farms around Portland are such beautiful places. It is one of our pleasant yearly outings to drive out to one of them and choose our tree. And a freshly cut fir is one of the best smells there is!
I just saw, on the news, that today the strong winds that are battering the coast broke the 700 year old tree in half. End of a very long era. I'm glad we stopped to see it when we did.

This is what it looks like now.
This is just off the diningroom and it will be our TV watching room. After stripping all the blue wallpaper, I found...
Blue paint. The previous owners really liked blue a lot. Every room in the house is some shade of blue. I can hardly wait to get to the painting phase and warm this place up! You can see I have replaced the precious little chandelier with a more practical light fixture. The box in the middle of the room is the microwave that will go over the stove.
This picture was taken standing in the utility room looking through the former closet into the bathroom. Yes! This is going to be a huge improvement.
This is the window in the livingroom that looks out toward the front yard and the creek. I am going to love living with this view. I really like these old windows, but alas they are single panes and not at all energy efficient. We've been shopping for windows. I think the replacement for this window is going to be a little higher off the floor. Modern codes require that windows less than 18" from the floor be made from tempered glass—very expensive. I think the higher window will actually be better in other ways as well, but it is a little sad to see this window go. I will not, however, be the least bit sad to see these oddball draperies go.
Out front, this is the creek.

This fall when we first saw the house the creek was barely a trickle of water. We've had a lot of rain this week, so it is now probably 8 -10 inches deep in some places.
We walked around the woodsy part of the lot and talked about what kinds of bushes we want to plant to further block the view of the road. I said I wanted some holly, then I discovered this pretty little variegated holly bush almost engulfed by blackberries. I think some love and attention will do wonders for it.


So, that's my little tour around the homestead for today. I plan to post periodic updates on this project. I think it will be my life for the next few months.
This is my last little effort for the HFD show. Another beetle—one of the slightly scary-looking horned beetles. After much trial and error I have figured out a way to make a nice, neat zig-zagged edge on these little pieces in lieu of a binding. It worked out so well I thought I'd take some pics and share them.
After stitching the perle cotton down, carefully trim the excess fabric off, as close to the stitched perle cotton as you can get without cutting the stitching.
Now you are going to zigzag over the perle cotton and the edge again, but before you do that, take a needle threaded with a heavy-weight thread. I use buttonhole thread. Just take one stitch through each corner of your piece and cut the thread off, leaving two long tails, about 3" long.
When you are finished, you can just pull the thread tails out and discard. 
Here's another 8.5 x 11 piece for the High Fiber Diet show. This just goes to show that one needn't look too far for subject matter. Har har!
I may have mentioned that High Fiber Diet is having a show of small, journal-size (8.5" x 11") pieces at the Unitarian Universalist Fellowship for the month of December. I made a couple that were pretty uninspired. (Here's one of them.) So today I decided to make at least one more. I have made beetles before. I like beetles. Maybe they are trendy. I keep seeing other people's beetles. Jane Davila does great beetles. Anyway, I like this piece better than the others I did. The other two were both abstract. I admire other people's abstract work, but I think I do better when I do representational work, even when it is an un-natural beetle.


I don't have to tell you what I'm thankful for.
When Ray and I got married, 37 years ago today, we were not the same people we are now. We have grown into the people we are today together. We've been lucky. Not all couples do. I had my own version of the future back then, but my imagination was not big enough to imagine grown children, who are amazing people in their own right. And a grandchild?—well, 37 years ago grandchildren were not on my radar at all. Would I have guessed we would be living in Portland, Oregon? No, not at all. Would I have envisioned the twists and turns our lives have taken? Nope.
I will put a back on it and bind it. As you can see I have done a lot of quilting on the background, but not much on the figure. This makes the figure stand out a bit and avoids the problem of all those lines in the face.
Here's a little closeup of the front.

Somehow I really think this piece needs a crisp, bold binding. Like this:

Have you read this book? Seems like everyone has and everyone loves it—except me. Ugh. I really disliked this book. It is an account of a young woman's ugly divorce and how she regained her equilibrium and found love by traveling to Italy, where she ate, to India where she learned to pray and Bali where she found love. It's not that I am opposed to finding oneself, journeys of self-discovery—all that, but this felt very contrived and very self-indulgent. For starters, she paid for the travel with the big advance she got on the book, so it was kind of a foregone conclusion that this trip was going to yield amazing insights and colorful characters and the requisite happy ending before it even began.
I mentioned this book in my post a few months ago about my own gray hair and I was contacted by someone from the publishing company, thanking me for mentioning the book and offering to send me a copy. Well, sure! Why not? I honestly did not expect to like this book very much. I expected it to be pretty superficial and filled with angst about aging and losing one's youthful looks. I was very pleasantly surprised. I found it to be self-deprecating and thoughtful. The author (Anne Kreamer) found that her worst fears were unfounded and that, in fact, in many ways people responded to her more positively once she allowed her hair to gray, even men, when she experimentally signed up for an online dating service. She thought a lot about the value of authenticity and "if you can stop worrying about what others might think of your hair color, and of feeling obliged to wear camouflage, then you free yourself up to think about other things—that by abandoning the small stuff you may make room for the big."
Those lilies still need stamens, but those will come later.
A couple of months ago I joined the Complex Cloth list and so far I just lurk and listen. I'm not much of an original cloth maker, but am kind of fascinated by the processes used. Gerrie is so into making art cloth that I get to live a bit vicariously when she shows us her newest shibori and indigo dying and screen printing. It seems to me that her work just gets better and better, so I keep wondering if I am missing out by not incorporating some of these techniques. I have, I must admit, an aversion to "moosh"—my own term for that indistinct, sometimes muddy smooshiness that results from some of the artcloth techniques, especially dye techniques. I really like crispness. Still. . .
There has been talk lately on the Complex Cloth list of resist dyeing using school glue as a resist. Hmmm, I have an old bottle of that blue, gel-ish glue and some very cool carved wood stamps. So I cut a square of fabric late last night and stamped some glue all over it. This morning I painted over it (no, I was not up for mixing dyes and all that entails), let it dry, then stamped some more and painted some more. Here is the result. Not sure what I will do with it, but I think it's kind of pretty!

Here are the stamps I used.
They are really very cool. I have had them for so long I can't even remember where I got them. They are wood and are from India I think. Their original use was for batik, for stamping wax. I've used them in several ways, including directly inking them and stamping.
So, now I feel like an artist again. Back to the dishes and laundry and floorplans—
Today we celebrated my son-in-law, Cayo's, birthday. Actual birthday was Thursday. Emily had a brunch at her house and invited her friends and their babies and children. What a happy day. And what an international group. Spanish and English were spoken and maybe just a little Portugese, as well as plenty of babytalk.
Another thing I have always wanted in my kitchen is Mexican tile. I am in love with Talavera tile patterns. I found one on the internet that I can order, so I am thinking of putting it on the backsplash. I have been playing around with configurations in Photoshop. Here are some ideas I've come up with:

Nice, but I miss the red.
One row of the Talavera—hmm, interesting. I kind of like the zigzag that makes.Oh man, I'm so confused! Has this become a jumble of too many patterns? Is it all going to look like a Mexican restaurant? And that Middle Eastern rug—how's that going to work? And I haven't even gotten to my greatgrandmother's antique china cabinet and my mother-in-law's old oak table and my sort of Queen Anne-ish chairs.
Thoughts?
I have been working on the "Good to be Green" quilt in sections. These are the last. I am about ready to start assembling and see if the pieces fit together.
We are all amused by the way her hair is growing. She has that long section of hair in front that forms a point. Her Daddy says she looks like a baby Dracula. I am reminded of Squiggy from LaVerne and Shirley, as well as Eddie Munster. Awww—did I just compare my granddaughter to Squiggy and Eddie Munster? She's much cuter!
I had a message on my voice mail when I got home this afternoon. It was from the Old Forge Art Center in Old Forge, New York. They sold my small quilt called "Rice Bowl and Bird". I have such mixed feelings! I do make these things with the intention that I will sell them, but some become more special to me than others. "Rice Bowl and Bird" has been traveling for nearly two years with "Fine Focus" a juried exhibit of small format art quilts. I was so delighted to have it chosen for Fine Focus and even more so when I saw it hanging with the rest of the show in Coos Bay last December. It was such a good show. It was really an honor to be part of it.