Ta Daaaaaa!

The razor wire has been removed from the gate and fence.

All that remained of our protest were these small artifacts on the ground near the fence. After I took the picture I disposed of them—don't want to be responsible for littering, after all.

Two good things came of this.

1. The razor wire was removed and the trail restored to it's previous peace and harmony.
   
2. I finally learned the correct spelling of the word "razor".

Calling off the dogs

So to speak—not that any of you are dogs! I got an e-mail from Mr. Manley on Wednesday, just as I was ready to leave town. He said he has requested that the Supervisor remove the razor wire asap. I just got home, so haven't been back to see if it is gone yet.

Thanks so much for your e-mails. I think it made the difference.

You can join the fun!

If you have been following the artful protest (here and here and here and here) my friend, Beth, and I have launched against the Portland Golf Club, you will know that they left us a message a couple days ago. (That's the clubhouse above—nice, eh?)

Today we left a message on the fence inviting other walkers on the path to e-mail the general manager of the Golf Club with their comments and suggestions regarding the razor wire.

Now I am inviting YOU to send an e-mail as well. Tell them that you saw pictures of their ugly razor wire on the internet. (doesn't that sound like something they don't want to hear?) Then tell them whatever you want to tell them. Do you think e-mails from all over the world will get their attention? I dunno. It's worth a try.

Let me know if you send an e-mail—I'm interested in knowing how many they get.

jmanley@portlandgolfclub.com

It's our reward

And God said,

"Let me download a bunch of this extra rain

on your corner of the world and I will

come up with something nice to compensate. . . "

Aside from a few berries that went directly from the bush into my mouth, this is my first "picking" of berries from the garden. Really, is there anything more divine? The bushes are loaded, so this is the first of what looks like an excellent crop.

Last week my friend Beth served our art quilt group a raspberry pie, made from berries from her garden. You may have read Gerrie's raves about the pie the next morning. It had a layer of cream cheese on the bottom and whipped cream on the top and luscious, glazed berries in the middle. Oh—My—Goodness! She has promised me the recipe so I am freezing raspberries to make a pie when my daughter and son-in-law arrive next month.

. . . . . . . . . . . . . . . . .

You can read about the nice day I had last Thursday on June's blog. These outings with Gerrie and June are such a good break. So nice to spend time with smart, interesting people. And as June put it, "gaze and graze".

. . . . . . . . . . . . . . . . .

Midnight Intruder

Just as I was going to sleep last night I heard a loud thump downstairs somewhere. It woke me right up. Ray is out of town, so I was alone in the house. I crept down the hall in the dark and listened at the top of the stairs and heard a few more thumps. I crept further down the stairs and could hear someone moving around below me, so I determined the sound was coming from the basement. I stopped at the door to the basement and listened, pretty sure by now that it was an animal and not a human, but far bigger than our cat, Gracie. Just then I heard a metallic crash and something bouncing down the stairs to the basement. I banged hard on the door several times and heard something scurrying frantically, then I slowly opened the door and flipped on the light just in time to see a raccoon's tail exiting through the basement cat door. It had managed to knock down a large tin that we keep dry catfood in on a shelf at the top of the stairs. It bounced all the way down, then the top popped off as it hit the concrete floor and scattered dry catfood across the floor. I closed the cat door and left the mess to be cleaned up this morning.

It took me a long time to get back to sleep.

. . . . . . . . . . . . . . . . .

Regarding yesterday's trivia question—Anonymous correctly identified Bela Fleck as "an awesome banjo player". "Awesome" is a good word for him. It is banjo playing like you've never heard—jazz banjo—which, I know, sounds like a particularly heinous oxymoron, but it is, in fact, awesome.

Fathers Day — the picture

My son loves this picture of my Dad taken with my kids when they were teenagers. (Love that hat!) He thought it belonged with the Father's Day entry. I agree.

Trivia question: Anybody remember Bela Fleck and the Flecktones? (Andy's T shirt reminded me) Do you know what unusual instrument he plays? If no one gets the right answer, I'll tell you tomorrow. He was quite popular at our house for several years.

Fathers Day

Of course I think about my father as Father's Day approaches, but really, I think about him a lot regardless of the day. To be fair, after writing so much about my mother on mother's day, I should post a picture to show you how handsome he was (and he was!) and tell you how smart and clever he was (and he was certainly that) and tell you how very much I miss him (every day), but given the sadness we are feeling right now with the loss of another parent, I don't think I can bear to write yet another entry that will result in my sitting here and weeping all over my keyboard. So, for father's day, just a nice little story about my Dad.

Once when I was in grade school I came home with a straight-A report card. It was a very big deal for me and my parents were both properly congratulatory and full of praise, but for me that was not enough. I told them that my friend, DeeAnn's parents paid her a dollar for every A she got and offered an additional $5 bonus for straight-A s. That made a straight-A report card worth well over $10—a veritable fortune. My Dad pondered this and said he thought grades were their own reward, as evidence of hard work and accomplishment—things that had a value far beyond mere money—and he disliked the idea of attaching monetary value to them. But, he conceded, straight-A's might be something extra special, so he was willing to reward one dollar to any of his children who brought home a straight A report card. We collected our token dollars from time to time over the years and I came to appreciate his point of view.

After I had graduated from college and after I was married, I went back to college for a semester to get classes needed for a teaching certificate. When I saw my parents after the end of the term, I said to my Dad, "Hey, I got straight A s. I think you owe me a dollar!" I was joshing him a little. He seemed to think for a minute, then got a big grin and disappeared back into his bedroom for several minutes. He returned, with this coin from his hidden stash, which he, delightedly, placed in my hand. It is an 1897 U.S. silver dollar. It is really quite beautiful and certainly worth much more than a dollar. To me it's priceless, and, in retrospect, I realize it had nothing to do with my grades and everything to do with how much pleasure he took in that spontaneous opportunity to do something surprising and generous for someone he loved.

The Iris has landed

Seems like ages ago I promised to show you how I solved the problem of the floating irises. Then life intervened and I have not had a chance to get back to the irises until yesterday. For the past two days I have been finding a little time here and a little time there to quilt it.

But, back to the floating irises— When I tried some solutions in Photoshop, the one I liked best was the idea of adding some "dirt" around the bases of the stems. When I started working on the actual piece, I added even more than I had added in the digital image. I think it grounds them. They have finally landed and float no more. You may notice that I added a couple more leaves to soften the strong diagonal a little and push into the border strips.

I just finished the quilting and will block it and square it up and add a back. Then I will probably do a little more quilting to anchor it to the back. I like the way the quilting on the back looks—almost like a line drawing. But that will soon be covered, never to be seen again.

A Response

Yesterday, when we walked the trail, I was surprised to see that after a week my little banner was still hanging on the razer wire. We added more of the "good neighbor" quote tags.

Today the quotes were gone, but my banner had been turned around and this message written on the back:

"To Whom it May Concern,
Our intent is not to offend but to protect our effort to maintain the natural beauty of our environment. Our goal is to not only enhance the beauty of our environment but to protect it from those wishing to harm it. We welcome open communication and input from you to assist us in this endeavor. Please leave us a contact number.

Sincerely,
Portland Golf Club"

I guess that puts the ball back into our court. We are thinking about what our response should be. I do not see myself leaving my phone number taped to the fence! We are not walking for a few days because Beth will be out of town, so we have a few days to ponder it. How do you respond to an "intent . . . not to offend" that offends, nevertheless? And, how is it that razer wire furthers a "goal to . . . enhance the beauty of our environment"?

How would you respond to a sincere golf club?

Playing catch-up

So—a week ago I filled you in on the status of the razer wire protest art. Tuesday morning our husbands joined us for our walk to see what we had done at the fence. When we got there we found that Beth's little banner was gone, as well as the tags with the "good neighbor" quotes I had put up the day before. The ribbons were still there. We checked the trash barrel, stirring it up with a stick and while we did not find Beth's banner or the quotes, I found my original banner clear at the bottom! So it went back up for the third time. (boy, I hate that picture. Does my neck really look like that?)

We continued on our walk and it was out on the trail that we got the call telling us about Ray's Mom. We hurried home, packed ourselves up and hit the road for Boise, Idaho. I haven't been back to the walking trail since. We are planning to walk tomorrow. I am pretty certain my banner will be gone again, but I am taking more quotes to hang up and probably some more ribbon. I can print those quote tags as fast as "they" (whoever they are) can take them down! Teri asked if she, or anyone else, could send contributions to the protest—meaning art to hang up, I assume. Absolutely! E-mail me privately and I will give you an address to send to.

And that iris quilt—I haven't had a chance to work on it, but I'm hoping to get back to it soon. And when I do I will post the "floating iris problem" solution that I came up with.

Thanks for all the nice messages. I was touched by the response to my post about Bertha.

And one last thing—"The Weaver" and "Judith's Garden" were both juried into the APNQ Show in Seattle in August. That news made a truly crumby week just a tiny bit better.

A Life Well Lived

She grew up singing and joking in a closeknit family of 7 siblings, among them some of the naturally funniest people I've ever known. She was pretty and smart, with piercing brown eyes and a ready smile. Her first husband, who must have been a fine person for her to have chosen him, was killed in France in WWII, leaving her a widow before she was thirty. After the war ended she met Larry Grant, who had spent the war years as a prisoner of war in Japan. In each other they found their second chances. They married and raised three boys.

When I married her son Ray, she welcomed me as the daughter she'd never had.

Larry died suddenly and for the second time she found herself a widow at a relatively young age. It was a terrible blow, but even in her grief she found grit and determination, and she emerged as an independent woman, learning to drive for the first time, taking college classes, volunteering and traveling the world. She doted on her grandchildren and she loved us all without condition and without judgement.

Last week the staff at the facility where she lived said she seemed more quiet and withdrawn than usual, even a little angry at times. Her Alzheimers sometimes triggered frustration and uncharacteristic anger. But on Tuesday morning she had a good breakfast and went for her weekly appointment with the hairdresser, a ritual in which she took great pleasure. As her hair was being washed she gasped a couple times then went limp and, just that quickly, she was gone. If you believe in Karma, it was the swift, peaceful death she had earned with a good and happy life that overcame tragedy and loss. She would have been 93 next week.

As we cleared out her apartment this week I could almost hear her singing in her sweet, warbly old lady's voice. Her sons remember her singing along with the radio as she did housework and dishes. She sang silly songs for her grandchildren. Several months ago we were driving her to visit her sister and she was watching the crows fluttering along the roadside. Out of her foggy memory, a song emerged, in its entirety, and she sang out joyfully,

"Pack up all my cares and woe,

Here I go,

Singing low,

Bye, bye blackbird.

Where somebody waits for me,

Sugar's sweet

So is she,

Bye, bye blackbird

No one here can love or understand me

Oh what hard luck stories they all hand me

Make my bed and light the light

I'll arrive late tonight

Blackbird, bye bye"

I'll miss her. My one-of-a-kind mother-in-law, Bertha Grant.

More street art

Beth and I are not the only ones who are "takin' it to the street." The kids in our neighborhood have made the street their canvas.

We live on a dead-end section of street with only 8 houses. The street was paved only a couple of years ago and gets very little traffic—mainly the folks who live on the street. The kids down the street started chalking hopscotch courts on the newly paved street nearly as soon as it was paved. They have progressed from there to big cartoon characters, funny sayings and recently a very impressive map of the US with all the states named. Yesterday we discovered that they have branched out into poetry. The poem:

Illinois Street
Welcome to Illinois Street
We hope its bounds your needs they meet.
Much history has been made here
Upon the place where you appear.
The fireworks shot up so high
That we did think they touched the sky.
And it has snowed and it has rained—
And what do you think that we have gained?
We are a very cozy street
We hope its bounds your needs do meet.

Today is the 4th of the month of June,
So school will be over soon.
Birthdays coming all around
We'll party the house to the ground.
The sun is very hot in June
And school will be over soon.

It is great to live on a "cozy street" that inspires poetry.

Are you tired of this topic yet?

Here's today's update on the razer wire protest art caper.

My little banner was gone today. I was prepared for that. And, no, it wasn't in the trash barrel this time. Beth had made a little banner. Hers has an angel on it with the words, "If I had the wings of an angel, over these prison walls I would fly." I had also come prepared with some bright ribbons and some little fluttery tags, printed with quotes, such as "Good Fences Make Good Neighbors" by Robert Frost and other quotes about good neighbors and ugliness in the world.

We are trying to do this without the regular walkers or neighbors knowing who is responsible, so we got a few bits up then had to hurry off when we heard dogwalkers coming. We added the rest on our return trip. Nothing like a little civil disobediance to make two old broads, in sensible shoes, feel feisty and rebellious!

Here is my co-conspirator with her handiwork.

We met the dachshund ladies along the trail and they were talking about the display on the razer wire and were happy to see it. We didn't confess our role, but were gratified to know that someone had noticed.

Backgrounds

I'm back, and Blogger is letting me post pictures again. I decided I wanted a background for the iris that would be simple—a strip of fabric with a narrower strip of a different fabric down each side. I want the suggestion of an Asian scroll.

I really thought I would like something quite dark for the side pieces so that was what I was thinking. The red hand-dye was certainly dramatic, and it brought to mind van Gogh's irises, but ultimately I felt it was too much and I wanted something more serene. I was surprised that the dark panels were not working for me either and I ended up trying out the two green fabrics together and that is what I settled on.

Once I got the irises fused to the background I realized that they were floating, not growing. They needed to be grounded somehow.

This is where I love Photoshop. I can take a picture of a work in progress, put it into Photoshop and try different things without committing them to fabric.

Maybe the irises needed some little dark lines that would indicate the ground they are growing out of. They could be fused, using the same dark brown the irises are fused to,

but first I can just draw them in my photo.

Ummmm—no. That's not going to do it.

Maybe I need to get in there with my pastel pencils and put some shadow and color into the background to suggest ground.

Yes! I think this is going to work. But this is still just Photoshop magic.

Tomorrow I will show you how it works out on the real thing.

Japanese Iris for the Japanese Garden

I am getting things ready for the Japanese Garden show that happens in July. It has been a great venue for selling work, so I like to have a good variety of work ready, in a variety of sizes. This is when I start to think of my work in commercial terms, though I would never want to get to a point of just churning out what sells just because it does. Still, as I prepare for this show I am inevitably influenced by what has sold in the past.

I have tried to have at least one good sized piece with a flower theme. These have included a hydrangea, a foxglove, and an iris. Each of these has sold. This year I am doing a Japanese Iris, using my usual fusing technique. I start with a full-sized drawing and my assortment of fabrics. I started with the blossoms, which I fused. Before going any further I added detail and color to the blossoms to assure myself that they were actually going to look like flowers before proceeding. Then I started tracing and cutting and fusing the leaves, using several shades of solid green fabrics. The fabric I am fusing to looks black in these photos, but is, in fact, a mottled dark brown. Sometimes the pieces don't fit exactly as they did in the drawing, so I trim and adjust. With this piece I decided the leaves looked a little sparse once I had fused them all in place so I added a few more. The drawing is a guide, but not one I adhere slavishly to.

After I finished the bunch of irises, I tried them out on some different backgrounds.

Hmmmph. Blogger seems not to want to allow me to post the pictures of the different backgrounds. I will come back and try later.

Update

This morning I found that my little piece of "protest" art had disappeared from the fence, but of course the offending razer wire was still there, ugly as ever. Since we walk "out" on the trail and then back again, we pass the site twice. On our way back it occurred to me to look in the trash barrel a few yards down the trail. There was my little banner!—neatly rolled and stashed in among the Starbucks cups and fast food wrappers. I fished it out, tied up the broken cord, and put it back on the fence. I'm sure its days are numbered.

Guerrilla art

I have talked about the walk that my friend Beth and I take nearly every day. It is on a beautiful trail called the Fanno Creek Trail. The last time I posted about the trail I showed you this picture of the razer wire that the Portland Golf Club put on their fence where it backs up to the trail. Ugh! What an ugly addition to our beautiful walk.

It bothers me. Whatever their problem has been, it seems like an extreme reaction to make that section of trail look like a war zone. It's unneighborly to say the least.

Beth and I decided it needed some attention called to it—some beauty to counter its ugliness. So I made a small piece of fabric art to hang on it. I did not expend a lot of time or material as I fully expect it to disappear, but it is a small statement. It will be interesting to see if there is any reaction. I will keep you posted.

And elsewhere on the trail . . .

This beautiful sight—plums!

Good Movie

This afternoon we went to see "Sketches of Frank Gehry" at a little old theater in NW Portland (Cinema 21). It is not the kind of movie you are likely to see at the multiplex, but oh, such a worthwhile afternoon if you can find it playing anywhere near you. It is a documentaray about the acclaimed, but controversial architect, Frank Gehry, and is a fascinating insight into the creative process. The scenes where he and a colleague were designing a building by cutting and taping pieces of paper were so wonderful that I really think I must own this movie so I can see it again and again. You can read more here and even see a little cut from the movie.

More little pieces

Here are two more very small (5") pieces. Landscapes are a new idea for me. Not sure I want to do a lot of these, but they were fun. They remind me of the vast rolling farmland, with mountains in the distance, of Idaho, where I grew up. That little house with a solitary tree is pretty typical.

Small, I mean really small, work

It is a lot of fun to experiment with small pieces. I had this idea that I wanted to try doing some work that uses partial images. How much of something do you have to see for it to be recognizable? Composition becomes more important than ever. Negative space is important. Representation becomes more like abstract composition.

These pieces are each about 5" square. The top one, which is my favorite of the two, by the way, is a little section of the drawing that I used for my piece called "Rice Bowl and Bird". The pear came out of my head. (Not that there is an actual pear in there, but the memory of a pear!)

Sometimes it is really nice to be able to work out an idea in just a few hours from start to finish. I'm looking forward to trying a few more of these.

I think these might be nice mounted on a larger square of mat board.

Three beautiful women, one special birthday

Happy Birthday, Emily!

Thirty years ago, today, my beautiful daughter Emily came into our lives. She is a joy—smart, funny, loving and hard-working. A year ago she married her handsome, Ecuadorean husband, Carlos Julio—we call him Cayo. After spending four years teaching in Quito, Ecuador, Emily and Cayo are moving to Portland this summer. We are very excited. The picture is of Emily and Cayo the day of their civil marriage ceremony. The formal wedding followed several weeks later, with us in attendance and we have many beautiful pictures, but I love this picture—don't they look happy?

On the day Emily was born I was exactly the age she is now. She has shared half of my life. She is my only daughter and my baby—and one of my favorite people in the world. We love you very much, Em, and wish you a great birthday.


Happy Birthday, Melissa!

The same day Emily was born, in Pocatello, Idaho, across the mountains in Jackson, Wyoming, her cousin Melissa was born. Melissa's dad is Ray's twin brother. We knew the babies were due within 10 days of each other, but were truly surprised (and thrilled) that they arrived on the same day.

Melissa is a beautiful redhead, the mother of a little girl and a baby boy and also a teacher.

Our family has loved watching the "twin cousins," Emily and Melissa, grow up and become amazing women. They were adorable at two, in matching T-shirts—Emily on the left, Melissa on the right.


Happy Birthday, Jessica!

On Emily's 8th birthday something very special happened. Another cousin, my brother's daughter, Jessica, joined the world.
Jessica is 22 years old today. She is a busy college student who also works at a decorating business, where I'm sure she charms everyone with her dazzling smile and her warmth and genuine interest in everything and everyone.


Who knew May 23rd would be such a remarkable day?

Who are all these people?

I'm slightly stunned. Yesterday 340 people looked at my blog. Cool. That's waaaaay more than my average of about 60 a day.

I think most were looking at my tutorial on my fusing method. After someone asked about it on the Quiltart list I posted a link again. But it is looking like some of those visitors are coming from Yahoo groups or other mail groups. Did someone repost the information elsewhere? Fine with me, but I am curious. Of those 340 people only about 4 left comments. I wish some of them would let me know how they found me.

And if you were wondering what I did with the crow I was fusing in the demo, here is the finished piece. It will be for sale at the Portland Japanese Garden sale in July.

Yesterday Gerrie and June and I went to see the Art Train. I was hoping to have some pictures to show, but they did not allow photos. The exhibit was called "Native Views - Influences of Modern Culture". It was all work by contemporary Native American artists and it was quite a well-done exhibit with some very nice work. We were all especially impressed with how well the accompanying statements were done. The train is a little claustrophopic, (this from a person who hates tunnels and enclosed spaces, but June agreed) but the exhibit is worth seeing. If the Art Train comes to your city, I recommend it. There's a schedule on the web site.

Blogging about blogging

Despite the fact that thousands of new blogs are created each day, it feels to me like my own little universe of blogginess is diminishing. I have bookmarked my favorites to check in on periodically and I keep adding new ones, but I am noticing a trend toward fewer and fewer posts and, disconcertingly, sometimes blogs are just disappearing.

On a couple of occasions I have located the blogs of former colleagues and/or friends, by doing a Google search in a fit of wondering “whatever happened to good-old so and so?”
One night I was reading through the blog of a former co-worker who moved away and it suddenly vanished before my eyes. I clicked to the next archived entry and got that “not found” page. I clicked back to where I had been and it was gone, replaced by “not found”. Apparently at the very moment I was reading, she was making the decision to pull the plug on her blog. Or, creepily, I wondered if she, sitting at her computer thousands of miles away, had somehow divined that I was there reading her private thoughts and had quickly snatched them away. That is something to contemplate. I did feel like a voyeuer, and a little guilty. That same feeling compelled me to email another former colleague to tell him I had found his blog and read it. He replied that he was glad to have another reader and inquired about my life and family, but then he stopped posting, finally coming back with a short entry saying he was trying to decide whether to continue writing his blog or not. I hope it wasn't something I said!

A couple of the art quilt blogs I used to read have gone. I haven’t removed them from my list yet and check in occasionally in the vain hope that they have changed their minds and come back. Others now post so infrequently that it’s hard to maintain much interest in what they are doing.

I have been at this for 8 months now and my posts are not as frequent as they were early on, but I still feel like I have things to say. Maybe at some point I will burn out and fade away as well. Meanwhile, I have some favorites that I continue to read and enjoy. Gerrie and June are consistent and interesting and fun. Deborah and her young family and Deborah’s artwork are always great to read about. Sandy’s quirky links and clever commentary keep me coming back. Dad Gone Mad just cracks me up. And, of course, there are many more. I have to admit that there are a couple of blogs that I read just because they are so annoying—how perverse is that?

And now, just because I am fundamentally opposed to blog entries that have no photos, here is the scene outside my window that calls to me as I work away on my computer today. Ray hung the hammock last weekend. That is the official declaration of summer at our house. Now, if I can get up the gumption to make some iced tea—the hammock, a good book and a tall glass of said tea, all rattly with ice cubes, is just about the perfect combination for a lazy afternoon.

Visit with an artist

These paintings were painted by an Ecuadorean artist named Cristóbal González Guzmán. We visited him in Quito in December when we were there. You can read more about our visit on our Ecuador blog, www.noqinecuador.blogspot.com .

Mothers' Day

I tire of hearing people bash their mothers. I suppose some people had truly cruel, abusive mothers and that is tragic, but it's the whiny "my Mom is driving me craaazy" stuff that gets to me. There were probably times we both drove each other crazy, but I really miss my mother.

Once she was visiting me when my small quilt group met. One of the women showed a quilt with two sides that represented her parents. The "Dad" side was a bowtie pattern in somber tones. It represented her harsh, cold father. The "Mom" side was a crazy quilt that represented her mother who was disorganized and incompetent and unreliable and self-absorbed. After the group left my Mom sighed deeply and said, "Terry, promise me you'll never make a quilt about me!" I laughed and said, "don't worry, that's not my thing."

What I wish I had told her is that, in some way, all my quilts are about her. She shared her precious art supplies with me when I was very small. We painted pictures together. She taught me to sew and shared her love of art and color and design with me and bought me drawing lessons and painting classes and encouraged me to study art and never told me it was impractical or not important. She hung my paintings and my quilts with pride.
My cousin recently sent me this picture, found among my aunt's (her sister) belongings. I had never seen this picture of my mother before. She was 14 and you can see in this picture how confident and spunky (and how pretty) she was. She was smart and bold and brave. She established the first battered women's shelter in Idaho (which is still in operation and about which women have said their lives were saved because it was there for them) and she always stood up to injustice and prejudice of any kind. And she made the greatest pies—really—the greatest.

Outdoor vending in the land of mist and rain

The Garden Fair where we were selling our garden art was held on Saturday and Sunday at the Clackamas County Fairgrounds in Canby, Oregon—about 30 miles from Portland. I have spent a lot time over the years sitting in a booth as a vendor, whether it be at quilt shows, trade shows, art shows—I even booth-sat at the American Academy of Dermatology when I worked for the National Psoriasis Foundation. It is always fun and you meet nice people and they are, for the most part, in a good mood and are complimentary. Being outdoors, surrounded by beautiful plants and flowers does that to people. It is a great people-watching opportunity as well.

Here's our booth. We were glad we had gotten the canopy—good for rain or sun, and we experienced both.

On Saturday the weather was great—cool but sunny. We watched people go by with their wagons and other conveyances filled with plants and flowers. At one point our friends showed up with their daughter and grandson. Baby Will was enjoying the sights and the people. Isn't that a sweet face? Awwwww.

People who have been to the sale before came prepared with wagons or carts to haul their purchases around. One woman had fashioned a cart by bungee-ing her recycling bin to a luggage wheelie.

Besides our stainless steel garden art, there was a variety of other art, ranging from whimsical to sublime. The woman in the space next to us had glass "spires" created by gluing together a variety of glass vases, platters, etc, gathered from estate sales and resale shops.

She also had concrete spheres and shapes. I wasn't tempted to buy, but I made a mental note of those concrete pieces. I might try my hand at some of those. The one on the iron stand is covered with pennies.

On Sunday I added the colored ribbons to some of our pieces. They seemed to need a little color. Our metal art seemed weensy compared to the giant metal critters in another booth.

Sunday dawned gray and cloudy, but that never keeps an event from happening in Oregon.

You just dress for the weather and carry on as usual. The glass and concrete woman in the next space bailed out. She did not have a canopy and didn't relish sitting in the rain all day. Despite a sweater and a jacket, I got really cold and had to go buy a sweatshirt partway through the afternoon.

I started noticing the range of footgear. You see it all. The red clogs at the lower right are my feet. They are waterproof Quarks—perfect for the day. I didn't get a picture of the odd Oregonian practice of wearing socks and sandals, but there were plenty of those around as well. Seems like the socks would get pretty soggy.

Sales were slower on Sunday, but we sold pretty well on Saturday and had a good time. I think we'll try it again next year. Next year I will dress warmer.

Juggling

Today I am juggling jobs, futzing with photos, pondering pictures. I am hassled, harried and hurried.

Here is something for your entertainment until I get my act together. It is fabulous. Trust me.

http://video.google.com/videoplay?docid=4776181634656145640

Setting up for the Plant Sale

This weekend Ray and I are going to sell our garden art at the Clackamas County Master Gardeners' Spring Garden Fair. Today we went out to the Clackmas County Fairgrounds where the fair is held and set up our booth. We are newbies. We have never participated in this sale before, but we are really looking forward to it.

We have gone to the sale in past years and it is really a great display of plants and flowers and art. We were pleased to find that our booth is located in a smaller, grassy area, rather than in the big, paved area where most of the booths will be. It's a good location that everyone has to walk past as they come into the show. That is our white canopy on the right. We don't know who will be next to us on either side. They hadn't set up yet, by the time we finished.

Today we set up the canopy, then we decided where things will be. We were a little nervous about leaving things overnight, so we didn't leave any of the art there, but did leave our tables and chairs, and we got everything ready to hang.

Our booth backs up to an orange, temporary fence. Nice and colorful, isn't it?


If you are in the vicinity, come out and see us!



On a separate note—I took this picture out in my yard this morning. Isn't this tulip wonderful? I love the symmetry of the design.

As you can see, it has been a beautiful day here, today.

Fusing questions and comments

What nice comments and emails I got following the last post! Thank you. A few more comments and answers to some questions:

4 First, obviously this fusing method works well for some kinds of work and not at all for others. It is not, for example, practical if you like to spontaneously cut from large pre-fused fabrics. While I have done fairly good sized pieces using this method, I am always working from a drawing that I can trace.

4 Pat asked what brand of pastel pencils I use. I use mostly Conte brand. You can find them online at good old Dick Blick http://www.dickblick.com/zz205/17/ As Kathy, so eloquently said, "cha-ching". They are about $1.68 per pencil. You can start with a small set, then add the colors you need. I think I now have all 48 colors, but I have purchased them mostly several at a time. I have also bought some Faber-Castelli pastel pencils. They have some colors that Conte doesn't have. I especially like their Payne's gray. Also available from Dick Blick. http://www.dickblick.com/zz205/46/ They are a little less expensive ($1.29 each) than the Conte, but the pastel "lead" is not as thick. I buy both brands locally at Art Media or Columbia Art Supply.

4 Pat also questioned how permanent the workable fixative is. It is permanent. The "workable" part means you can add layers of pastel on top, but you can't get rid of what you've done once you've sprayed it. It also says it is acid free and archival. By the way, before you spray you can quite easily brush off pastel that you want to get rid of. You can probably see an old blue toothbrush in my tin of pastel pencils. That's what it is for.

4 Where to buy LiquiFuse online? I've never bought it online, but a quick Google should turn up some sources—hey, I'm not going to do everything for you!

4 You are certainly welcome to try this method out and use it if you like it. I posted the © at the bottom as I do not wish anyone to copy my photos and/or instructions and pass them off as their own. I worked pretty hard putting this together!

I'd love to hear from you if you try this method. Was it successful for you?

P.S. "Stone Lantern," 2003, above (13" x 28") was the first piece I made using this fusing technique.